As David Fricke points out in his liner notes, this is not just another novelty guest-project, the Krokofant on Q is like a brand-new band. In fact, all the involved are so happy with this album that there's more to come with a bunch of new material already written. After three albums in three years as a trio, and sensing the possible danger of being stuck in a formula, they all felt a need to try something new, taking the band one step further. Especially Tom Hasslan, guitarist and main composer, felt an urge to expand the canvas and sonic possibilities. Ståle Storløkken (Elephant9, Supersilent, Terje Rypdal) was the trio's first choice for a keyboardist. He had seen Krokofant live in 2015 and, in his own words "had an instant kick", so he said yes straight away. Ingebrigt Håker Flaten (Scorch Trio, The Thing, Atomic) had seen them the same year, and practically invited himself to join up at some time. Hasslan's tunes are perfect vehicles for Storløkken to present the full scope of his playing; from sheer pastoral beauty to full on jazz skronk. The same can be said about Jørgen Mathisen, who is given ample room for soloing. By introducing Håker Flaten and his bass, work was lifted from Hasslan's shoulders while a "proper" rhythm section was born, Skalstad and Flaten instantly bonding.